A little cold, little wet,
a little tired and yet
I am here. Still,
full of wonder.
The morning chill leaves
little to the imagination
and much less
to hope for.
Expected, perhaps, as it
always is, this time, this
season is only what
we ask of it.
11/21/2024 j.g.l.
The answers are far less certain
than even last week, to all those
perennial questions or solutions
you might seek.
What do you believe, or
what do you believe in?
Come Monday, you have fewer
questions than you had last week.
For a while there are less doubts
in what you believe.
Whom do you believe in,
and who believes in you?
11/18/2024 j.g.l.
We want to know what
we don’t know, or hadn’t thought of,
or forgot.
What mattered then,
or what mattered when, shifts over time.
We notice.
Perception is what you don’t see.
Deception is what know.
You see it differently through your aloneness.
The truth behind a lie,
you question how and why.
It made sense.
Anticipation keeps us waiting
for only so long. Will it matter
if you felt it never did?
© 2021 j.g. lewis
I'm like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.
A voice from the past with a view from the present, Friday’s release of the first posthumous album by Prince is more than you expect from an artist who you never knew what to expect from.
Recorded in 2010, during the Obama administration, Prince was writing and singing about what’s going on now.
In the matter-of-fact lyrics on Welcome 2 America, throughout the album Prince explores themes of racism, religion, celebrity, corporate greed and life as he saw it, then.
We get to hear it now, eleven years after it was recorded, five years after the man’s untimely death.
It was worth the wait.
Welcome 2 America has more than a soulful, lasting quality.
08/01/2021 j.g.l.
I’m like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.