A little cold, little wet,
a little tired and yet
I am here. Still,
full of wonder.
The morning chill leaves
little to the imagination
and much less
to hope for.
Expected, perhaps, as it
always is, this time, this
season is only what
we ask of it.
11/21/2024 j.g.l.
The answers are far less certain
than even last week, to all those
perennial questions or solutions
you might seek.
What do you believe, or
what do you believe in?
Come Monday, you have fewer
questions than you had last week.
For a while there are less doubts
in what you believe.
Whom do you believe in,
and who believes in you?
11/18/2024 j.g.l.
We want to know what
we don’t know, or hadn’t thought of,
or forgot.
What mattered then,
or what mattered when, shifts over time.
We notice.
Perception is what you don’t see.
Deception is what know.
You see it differently through your aloneness.
The truth behind a lie,
you question how and why.
It made sense.
Anticipation keeps us waiting
for only so long. Will it matter
if you felt it never did?
© 2021 j.g. lewis
I'm like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.
There is very little that can be said about Eric Clapton that hasn’t already been said; except I saw him last night.
I’ve been listening to the musician, in all stages of his career, over the past five decades and he has been around even longer than that.
Through the years I’ve grown to appreciate Clapton more as a performer, recording artist, and as one of the greatest guitarists of all time, but I’ve never seen him live; until last night.
He was everything (and more) that I expected, playing selections from his lengthy career, and paying homage not only the blues artists who have influenced him but also to friends no longer with us.
Clapton and his band kicked of the Toronto concert with a cover of The Band’s The Shape I’m in, a fitting tribute to his longtime Canadian friend Robbie Robertson. Then, later, a tune he once recorded with Tina Turner: Tearing Us Apart.
The show was filled with both popular hits and selections you could tell he felt like playing. With a catalogue like Clapton’s there could have been even more hits, but he did what he had to do.
At age 79, Clapton’s seemingly effortless prowess on electric and acoustic guitar was both mature and effective. There were a lot of “wow” moments.
It was quite an evening.
What else can I say?
09/11/2023 j.g.l.
I’m like a pencil;
sometimes sharp,
most days
well-rounded,
other times
dull or
occasionally
broken.
Still I write.
j.g. lewis
is a writer/photographer in Toronto.