I like to say I collect postage stamps but dare not call myself a “stamp collector”.
I’m not that organized.
I don’t have numerous albums sorted by year, country, and issue date, and rarely do I study the catalogues or updates from Canada Post to remind myself when the next issue is released.
The term “philatelist” does not apply to me. I am more of a casual collector, tearing the circulated stamp off the corner of a letter or postcard and tucking it into one of several envelopes where stamps accumulate until I decide to do something with them. When I’m motivated, which is not often enough, I glue them into whatever journal I happen to be working in.
I enjoy the art of, or on, the postage stamp that signifies a person, event or some significant piece of history.
I know that a black history month stamp will be issued any day now, and that the post office will issue a new floral collection as it does every spring (we first must get there). The flowers are always favourites of mine. There are many other releases throughout the year to satisfy collectors, and I pick them up when needed. I correspond regularly with friends and family across the globe (some more often than others) and prefer to use the “special’ stamps” as opposed to the common issue.
I enjoy sending and receiving letters, I always have. Part of the enjoyment of a letter is not only news from others contained within, but first seeing the stamp and the postmark. It started when I was a kid, and I still get excited — it is one of my few geeky traits — when a letter arrives. It seems there are less and fewer letters arriving now than there was before.
I suppose electronic communication has a lot to do with it; it is more convenient and less costly. But, a handwritten letter provides the kind of communication you don’t get from an email.
A letter, with a stamp, is far more personal.
And appreciated.
Over time, the written words and stories told in letter form become less relevant or memorable, but the stamp and postmark always remind you how important letters are.
© 2024 j.g. lewis
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