Why don’t you meet me in Paris? Half a globe away,
another lifetime. They write songs about the city,
in April. I have never been. In any season.
Spring has yet to find its way here,
so Paris awaits.
Rendezvous. City of lights, city for lovers.
Should we not taste all Paris could be? Could we
not see nights from a tiny apartment,
streets below filled with people like us.
Experience I do not yet know, but I desire
to feel the city against your skin.

I have been told one night in Paris
is like a year in any other place. Language
I do not understand, but the art speaks to me.
Culture not found anywhere but Paris.
History unto itself.
Art knows no boundaries, no geographic space,
yet Paris, as I have been led to believe, is
the capital city.
Hemingway wrote of Paris, Fitzgerald as well.
Picasso found poetry in Paris, the painter found himself,
adopted the city, or it him.

Artists, from anywhere, are meant
to spend time in Paris, to discover, to recover,
from wherever they have lived. You don’t
get that feeling anywhere else.
Or so I am told. I need Paris.
I would write in Paris, I would paint,
perhaps on the street, because I can only imagine
what others have lived.
I can only imagine. In Paris. In poetry.
In April. We would meet in Paris,
we may never leave.

© 2018 j.g. lewis

Is it forgotten, or has age
dulled our senses
or sense of oneself? We can only look back
trying to recall what it may have been like
to witness our days through the eyes of a child.
A distant period
when growth was unchallenged, and
nothing we saw could be influenced, or obstructed by
what we now see. Or what we know. Or why.

Now we know better, or
would like to believe.
Today, we have views, and opinions, which differ
from what we watch, or see. Our past was never
filtered by experience, or context, or undue influence.
Distanced by age, mainly,
or precious time,
a bias-free reality no longer
comes upon us naturally.

That which we hoped,
always contained wonder.
When did it stop? Why did we cease acknowledging
magic, surprise, or uncompromised enchantment?
A child sees a puddle, but does not consider the source.
Adults overlook simplicity.
Rain, once a reason for
glistening rubber boots, now an obstruction
precipitating delay, cancellation, or a leaky basement.

Nothing can be simple,
now, after confusion and
complications follow utter discontent for our surroundings.
Each day the same, too much to explain, disdain for the
information and images forced upon us.
A myopic vision dampens
the view of what could be, or why.
No longer do our childish ways outnumber
our days. No longer do we see curiosity.

©2018 j.g. lewis

“Poets are people who can still see the world through the eyes of children.”
                                                                                                                     – Alphonse Daudet

Naked trees,
vacancy in our landscape.
We abide,
patience tested, winter’s
protracted wrath.
Waiting
for the warmness
encouraging growth,
and colour, and
inspiration.
Spring denied,
a void in our lives.
In the meantime
we survive
with an extra sweater, or
two, cold hands, and
the hope for change.
04/03/2018                                                                    j.g.l.

by Adela Wilcox

Sometimes there are no words. Nothing comes out right, because we don’t know how to package it.

It’s okay.

The package doesn’t have to be perfect. Whatever the package can’t hold is of no use to you anyway. Anything so brittle that can’t be held by the strength of tears isn’t worthy of the love that formed them.

Sometimes there are no words. We don’t know how to express that which we haven’t connected to within ourselves.

It’s okay.

We find connection in service to each other, and empathy follows. The fragility of the human heart will forge connections which the mind cannot perceive.

Sometimes there are no words. The acts of others seem unfathomable, unconscionable. Inhuman.

It’s okay.

Solidarity arises from the best of our common soul, giving us a common goal, and a common purpose.

Sometimes there are no words. Loss brings us to our knees, leaves us speechless, and humble.

It’s okay.

In time we rebuild. In time we open our hearts again. And in time, we find those words which were once so elusive, and speak them to ourselves when no one else can speak them to us.

©2018 H. Adela Wilcox

Adela Wilcox lives in the beautiful Sierra Nevada Foothills of California. A writer, broadcaster, activist, musician, and gardener, Adela has published two volumes of poetry: Chrysalis Whispers (2010) and Phoenix Landed (2017).

 

 

by Heather E. Cameron

New York rain at the end of November 
On skylights that once showed sun
Winter is coming, and I long for you
I’m not home right now, but will be soon
And you won’t be there
You had left me like November into December 
Like the first snow that wants to become spring 
Those raindrops on skylights are my heartbeats 
Tiptoeing across glass and steel
Dreams wishing for slumber 
Skin aching for touch
Eyes wanting more to gaze upon
And a heart that longs to be yours,
in a soul, of a place I’ve visited 

@2018 Heather E. Cameron

Heather E Cameron lives in the small town of Wauconda, IL where you can find her drinking coffee and dreaming of big cities and wide landscapes. She is a wearer of hearts on sleeves, a child of the wilderness, and a lover of simplicity. She is a self-proclaimed poet slowly reaching the masses, one poem at a time.