Mythos & Marginalia

life notes between the lines and along the edges


  • Music and the Moments

     

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    Alice Cooper turned 67 last week.

    It may not mean a lot to a lot of people, or it may mean everything to a generation of fans, but it meant something to me and I didn’t totally realize why when the date flashed on the screen. Each day we hear news of a celebrity birthday, or death, but this one scratched a scab on my psyche.

    Alice Cooper was my first. He was the first singer/band I actively followed, and the album Killer was my first record. Well, I owned records before that, and I’d always listened to my brother’s albums (it started The Monkees), but Killer was the first rock and roll record I had an interest in. I didn’t own the whole thing; I was only a shareholder (my brother was 50 cents short, and managed to talk me out of the few quarters I had), but that initial investment launched me on a lifetime enjoyment of music.

    I finally owned a piece of rock and roll.

    Killer was everything rock music should be to a 1l-year-old kid. From the cover image of the boa constrictor to lyrics that fascinated and delighted a young mind, the album was dangerous. It was revolution; it was three-chord, loud and proud, guitar-based rock and roll with a backbeat big enough to wake the dead (or your parents). Cooper was a screamer, and the band played to its shock rock limits and were, perhaps, even more creative than what others offered at the time

    The music sounded like everything you heard and read about the musician.

    Through the years other artists have come and gone, or fallen out of favor. Some have remained cherished favorites; I still can’t explain a lifelong affinity for Pete Townsend and The Who, or Joni Mitchell. I was saddened by the news of Joe Cocker’s recent passing, still have a moment of repose on the anniversary of Kurt Cobain’s suicide, and have millions of moments inspired by other artists and albums.

    But Cooper is significant because he led me into this journey. He was my white rabbit. The moment the turntable’s needle hit the vinyl, I embarked on this path of searching for great music. I’ve purchased, collected, and accumulated thousands of records. My love of music led me to writing a weekly review column for a daily newspaper, and eventually led to a full-fledged career as a writer. It may have been because of Alice Cooper.

    That’s not to say Cooper remained at the top of my list. When I recently changed cities, I was forced to select only about 500 albums from a massive collection to bring with me. None of Cooper’s albums made the move.

    I guess Cooper no longer spoke to me. I knew I tired, decades ago, of the form and format of most of his follow-ups. He never again rose to the brilliance of Welcome To My Nightmare, the epic 1975 disc in which everything the singer represented was distilled into a near-perfect thematic album. The record contained perhaps the first top 40 single that openly spoke of domestic violence, and was stuffed with the lush keyboards and arrangements producer Bob Ezrin would later use with Kiss (an act that took more than a few moves from Cooper’s playlist. I hesitate in using the term ‘rip off”)

    But it’s not as much about the music as it is about the moments etched into the dusty grooves of an LP, the clean crisp bytes of a CD, or the hiss and pop of a mixed tape.

    We all have moments in time easily brought back by music. A love song, a chorus, chord or hook that takes you back to doing nothing important with teenaged friends, or a particular night at one particular party, a first kiss and more, a breakup; or a person, a lover, or a daughter. Memory. The songs may belong to the artist, but the music belongs to you.

    Alice Cooper’s birthday took me back over four decades.

    Now Cooper is not getting any younger . . . and neither am I. Still I can return, even if just briefly, and fondly remember a time, a certain time, when I discovered the magic of music. I found something that interested me enough to keep listening. It was my introduction to pop culture.

    There are many such moments, and others I probably reference more than Alice Cooper. I still remember the first time I played Springsteen’s Jungleland and was in awe of not only the melody and musicianship but of the sheer lyrical poetry. Behind Blue Eyes from Who’s Next does the same thing. A certain selection by Yo-Yo Ma can transport me to a certain place. I remember the radio recognizing a public shift in style each time I hear I Love the Night Life by Alicia Bridges, or Doobie Brothers Minute by Minute or, much later, Nirvana’s Smells Like Teen Spirit.

    All are moments marked by a particular passage or piece of music, steps on our ladder as we move on and move up. And we keep moving up that ladder.

    Music changes. So do we. Alice Cooper is older, and so am I.

    Moments and reflection, these days, are not as easy to come by. Artists, like us mere mortals, will not live forever physically, yet through their music times remain immortal. That, in itself, is a reason to keep on listening.

    “Man makes your hair grey, he’s your life’s mistake
    All you’re really looking for’s an even break
    He lies right at you, you know hate this game
    he slaps you once in a while and
    you live and love in pain.
    She cries alone at night too often,
    he smokes and drinks and don’t come home at all.
    Only women bleed . . .”
                                                           – Alice Cooper

  • She Wants To Breathe

     

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    Restless now. Really for months, an urge
    a need, to do something. Feel something.
    An interest in objects, as much as anything.
    Certain things mark a time. A sugar bowl, a
    cookie tin; items, almost sacred. Empty, at
    a glance, yet brimming with moments.

    Grandmother long gone, she now finds
    herself in a place. Voices. Ushered forward
    by a child, young woman now, and held back
    by memories. Her flesh, her blood, those
    who raised her. Comfort. Restless still.
    Words and thoughts, she wants to write.

    She wants to write, but never has. Not like
    this. Father’s firm disposition, a mother’s
    tenderness, a voice that softened her reality.
    She wants to write, like she wants to believe.
    Decisions made, not regretted, but pondered.
    The ink is fresh, the pen permanent.

    A snap of memories, broken, diminished joys
    not of parenthood, but of partners. She wants to
    write about love; past and present and perhaps
    more. She wants to write like she wants to breathe.
    Ink flows smoothly. Her blood. History always
    an interest, this is more personal.

    Shameless, blameless admissions, only to herself
    and a page presenting itself as a stranger. Now
    it offers its skin as a lover. The smooth, thick pen,
    heavy and hard between her fingers, finds a rhythm.
    An object desired. She wants to write, like she
    wants to feel. She has, and will again.

    Never like this. Minute details reiterate her faults. The
    pen’s nib, ever constant, captures lives left behind,
    but still within. If only her heart, if not in her life.
    The pen moves forward, she still there. Now. Every
    letter, each stanza reveals a voice. A need.
    She wants to write, like she wants to bleed.

  • Of Patience and Pain

     

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    Of Patience and Pain

    Saturday night in the ER, it could be 11 or
    thereabouts. Time matters not when you are
    waiting. Each visitor here has a purpose,
    they would not be here had they not. Incessant
    florescent lighting obliterates all time. It
    could be morning, as easily as it is night.

    Settling into chairs of modicum comfort, we wait.
    Mothers clutch screaming children, a husband
    and a wife, not speaking. Who knows what each
    is feeling? Minutes pass slower, punctuated by
    coughing and crying. Conversations about nothing,
    ailments and symptoms. Disease. I am here, alone.

    Why bother someone else with a pain I cannot
    control; a pain only I can explain. It is personal.
    We all sit, amidst yesterday’s newspaper and
    someone else’s problems. We muster the patience
    to deal with the sickness, the boredom, the pain,
    and the antiseptic scent of helplessness.

    An elderly couple sits, three hours now, immune
    to the commotion of reckless drunks with bloody
    noses. They are quiet, respectful. More people come
    and go. And wait. Gradually others take their turn, as
    the rest of us wait, not knowing when our time
    will come. We hope it is soon, but know it is not.

    The elderly gentleman does not remove his hat. She,
    tired and hurting, rests her head on his shoulder. He
    is her strength. He is there for her, as always and now.
    At one point he stands, takes her arm and guides
    her to the washroom. He waits outside, as if guarding
    his cherished possession. She is there for him. Always.

    All those hours in the ER, he held her hand the
    entire time. I know nothing of her ailments or
    of their history, but I recognize, can plainly see,
    all that is there. Love. In his palm, it is in their
    lives. A type of love I do not own, perhaps a kind
    of love I might have known. Not here.

    This couple, a lifetime of love that keeps them
    holding hands, in sickness and in health. Closer
    now. Till death do them part. Patience, even
    through the commotion of the ER and all they
    have experienced in life. Love. Time matters
    not, when you have the patience required.

  • The all-important Hyphen

     

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    The all-important Hyphen

    The hyphen: there is really not a lot to it.

    At first glance, a small stroke using up less ink than a capital I (or lower
    case for that matter), the hyphen holds many roles but is mainly used as a
    joiner.

    The hyphen brings words together.

    Conveniently located adjacent to the numerals on your keyboard, the hyphen is
    one of those reliable punctuation marks in a writer’s tool kit. It’s fairly
    popular, rather practical, occasionally suffers from overuse, but has never
    really been one of my go-to keys; I’m more of a semicolon guy.

    The hyphen’s use and usefulness cannot be ignored. It’s helps modify and can
    brighten up even the most euphorically-sunny day, further define a well-dressed
    man in a made-to-measure three-piece suit, and can attach lovers joined by their
    wedding vows. The hyphen, many times, can also be used to delineate parts within
    a written date, or represent a span in time.

    I suppose the weight of the hyphen really just occurred to me as I, again,
    thought of my father and of his recent passing. I glance at his obituary and the
    88 years summed up with a simple keystroke. Beneath his name sits a date of
    birth and a date of passing; important dates indeed, but what of all the years
    in between?

    My father was just that, a true father. A Dad. But he was also son, and a
    brother as well. He was a husband, uncle, brother-in-law, and a friend,
    colleague, partner and co-worker. With each of those roles came responsibilities
    he never seemed to shirk in a life filled with events and occasions, holidays,
    graduations, weddings and anniversaries, career advancement, new cars and homes,
    and fatherhood.

    All those hours spent guiding his children, the lessons learned and wisdom
    passed on, all represented by an insignificant hyphen.

    It got me thinking about all the time between the start and stop of his life,
    and mine. He made so much of his time on this planet, and I am just here.

    I’m living in the hyphen right now and I have no idea when my full stop might
    come. I would like to think the present is just another comma in the pages of a
    life that still has many sentences and chapters to go, but maybe it’s time to be
    more.

    There are goals still not realized, and a purpose not fully defined. I have a
    great deal to offer my family and friends, and to those I have yet to meet.
    There is more life to live, and more air to breathe. I’d like to think there are
    many hyphens still within my grasp.

    I guess its about deciding to make the hyphen important and squeezing as many
    memories and moments into this one small dash. I need now to be more open to
    changes that will inevitably happen, to be prepared to accept compromise and
    compassion.

    It’s also time now to start paying attention to the smaller hyphens, the ones
    that fall between self and awareness, or realization. Or preservation. Call it
    self-examination. I don’t think I’m much different than any of us presented with
    our middle-aged life (talk about a shocking hyphen). We all look at where we
    were, and consider where we are going. How we will get there, and where exactly
    is “there”?

    I know I need to worry less about situations beyond my control, to be less
    suspicious of others, and make myself more susceptible to options and emotions
    presented to me. I need to be a more-reliable brother, and father. I need to be
    a better friend, and I need to be able to become a stronger person. I need to
    forgive more and criticize less (myself and others). I need to show a greater
    aptitude for gratitude.

    I need to live my life more by the example set by my father, and less like the
    reckless self-absorbed teenager who once doubted his advice.

    As stubborn as I am, I’ll still live by my words (or I will try), but in doing
    so I will pay more attention to the hyphenation, beginning with less self-doubt and
    more self-respect.

  • Decision Time

    Decisions

    Decision Time

    What will I do today? This week?
    Each day I ask this, of myself. I ask this of others;
    daily, hourly . . . each second of every minute I ask questions,
    and
    with each question comes a decision.
    We all make decisions
    all the time.
    Continually.
    Where to go, what to do, what to buy, whether to stay,
    what to say,
    how to say it, how to ask a question. ?????
    All decisions.

    Each and every act, goal, accomplishment or
    failure, begins with a decision.

    How can I be sure the decisions I make are right, or proper, or ethical . . . even moral?
    I can’t.
    I can try.
    I can leverage all my knowledge and experience, and hope, and plan,
    but even then I can’t be sure the decisions I make, at that time, are correct.

    I am like everybody else.
    We all struggle with decisions.
    Many, or even most, of the decisions we make involve someone else. In fact, many of the decisions we make must function, or cooperate, or align, with decisions made by others.
    And that is hard.
    Even the simple decisions we must make are hard.
    Every decision is one of hundreds of inter-connected, though seemingly unrelated, decisions made each day.

    Life is a cumulative series of decisions.

    Your decisions impact the lives of those around you; those you love
    or those who, just by their nature of being where they are or what they are,
    are just there.
    Every day.
    Every day we make decisions.
    You decide how you will be viewed, how you will be remembered,
    how you will be accepted, or how you will accept others.
    All decisions.

    We wake and walk upon each decision we make.

    Some, in fact most, decisions are irreversible; resolution is not even in your hands.
    And the decisions made by others may possibly be the most difficult decisions to deal with.
    You are forced, without having to decide, to deal with the consequences
    you had never intended.
    One decision leads to another, and there is always the danger of collateral damage.
    And if we don’t question the decisions made by others, we wonder: why they did that; why they said that; why they left, or let you go?
    All are questions fuelled by decisions, and decisions made without your input. Mainly
    decisions made with little care or without concern for you.
    Then again it’s not the actual decision that hurts, as much as it’s how you react to the decision.
    If you don’t react properly, there is certain to be conflict.
    Decisions can lead to arguments, as much as agreement, or conclusion, or worry . . .

    Without decisions we do little, or nothing, to contribute to
    this grand parade we call life.
    Think about it.
    There, right there, that’s a decision; you have to decide how you will think about it
    and what you will think about.
    What will you think?
    What choice will you make?

    If you don’t make a choice, you are leaving it up to a chance, or fate. Kismet.
    And taking a chance is nowhere near effective as making a decision.
    It might be easier, at the time,
    but really it’s not.
    Not at all.
    When we make the decision to leave it up in the air — to leave it to chance — that in itself
    is a decision; not one to be taken lightly,
    and one that can only lead to indecision.

    Indecision can kill you, if not physically then morally, or spiritually.
    Just as the wrong decision, or even the right decision at the wrong time, can
    take its toll on how life should, or could, be lived.

    With decision comes responsibility.
    We own each decision we make, and every mistake made.
    Spur-of-the-moment decisions often haunt us the longest.
    So how do you make the right decision, without worry, without regret?
    I suppose, above all else, it’s a matter of being flexible, and even more so,
    being fair.
    If you are making a decision it should be made in fairness, and with intention.
    And it should be made for all the reasons that are good and whole,
    and right.
    Not just right for you, but those you care about.
    Think about it.
    Ask yourself: What do I want . . . what do I really want?
    Or,
    is what I have what I really want?

    Is it?
    Make that decision.